Nocturnes for Piano 1. Nocturne in B flat minor op.9 n.1 (5'30') 2. Nocturne in E flat Major op. 9 n.2 (4'18') 3. Nocturne in B Major op.9 n.3 (5'40') 4. Nocturne in F Major op.15 n.1 (4'45') 5. Nocturne in F sharp Major op.15 n.2 (3'13') 6. Nocturne in G minor op.15 n.2 (4'20') 7. Nocturne in C sharp minor op.27 n.1 (5'14') 8. Buy download online. Chopin: Nocturnes (arr. For Violin and Piano) Product Image. What are FLAC and MP3? 7 in C sharp minor, Op. Nocturne in D flat Major op.27 n.2 (5'58') 9. Nocturne in B Major op.32 n.1 (4'50') 10. Nocturne in A flat Major op.32 n.2 (4'52') 11. Nocturne in G minor op.37 n.1 (5'55') 12. Nocturne in G Major op.37 n.2 (5'32') 13. Nocturne in C minor op.48 n.1 (5'43') 14. Nocturne in F sharp minor op.48 n.2 (7'38') 15. Nocturne in F minor op.55 n.1 (5'31') 16. Nocturne in E flat Major op.55 n.2 (5'14') 17. Nocturne in B Major op.62 n.1 (6'15') 18. Nocturne in E Major op.62 n.2 (5'01') 19. Nocturne in E minor op.72 n.1 (4'16') All the tracks performed by Claudio Colombo, on Yamaha digital pianos. Courtesy of Problems playing this file? The Nocturne No. 20 in C-sharp minor, Op. Posth., Lento con gran espressione, P 1, No. 16, KKIVa/16, is a solo piece composed by in 1830 and published in 1870. Chopin dedicated this work to his older sister,, with the statement: 'To my sister Ludwika as an exercise before beginning the study of my '. First published 26 years after the composer's death, the piece is usually referred to as Lento con gran espressione, from its tempo marking. It is sometimes also called. The piece was played by Holocaust survivor for the Nazi concentration camp commandant, with Goeth being so impressed with the rendition that he spared Karp's life. A contrasting theme from the first section The is marked Lento con gran espressione and is written in. After a soft, sad introduction, the main starts at bar 5, with the left hand playing in slurs throughout the section, imparting a haunting and continuous quality to the music. The theme then shifts to a dreamy in bar 21, before returning to the original theme in bar 47, and finally ending in. The first two bars of the theme from the middle section (bars 21 and 22), resemble the main theme from the third movement of in F minor which was composed around the same time (1830). The next two bars (bars 23 and 24) resemble the second part of the secondary theme of the first movement from his second piano concerto. The passage in the middle section of the nocturne in 3/4 time starting in bar 33 resembles the scherzando section of the third movement of the second piano concerto starting in bar 145 in which the left and right hand are playing an octave apart.
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